“I fell in love when I was fourteen with a flower meadow, perfectly set off by a wooden field gate beside the Wye.”
John Lewis-Stempel lives on a farm on the borders of England and Wales, but he is much more than simply a farmer. He has written, amongst other things, three books on the First World War, a biography of James Herriot and a guide to foraging. Here he turns his attention to a single field on his farm, watching it as it changes with the passing months.
He is interested in the history, romance and beauty of the meadow, as well as the nature within it. In January he lies down on the frosty grass to view the bumps and pockmarks that centuries of use have imposed on the land. More comfortably, he lies down again in June, “How lovely it is to lie in a field and dream. . . . Above me the skylark flutters into the haze, all the while singing a silken tent over its territory, until it is a speck in my eye.” These are not the actions or words of an everyday farmer.
Everything is given a name; the sheep include Chocolate, Sooty, Cardigan and, of course, Jumper. While checking these sheep in the evening he is quite liable to be reminded of a line of poetry that suits the moment; the October stars prompt him to hunt out Thomas Traherne, a Hereford-born metaphysical poet:
The skies in their magnificence,
The lively, lovely air;
Oh how divine, how soft, how sweet, how fair!
The stars did entertain my sense,
And all the works of God, so bright and pure,
So rich and great did seem,
As if they ever must endure
In my esteem.
This is a lyrical book, written with a sense of humour; his description of sheep shearing made me laugh out loud. He starts in the approved manner, with the sheep sitting down, leaning back against his legs. Having shorn thirty of the sheep he parks the tractor so he is hidden from view, ties the next one to a gate and finishes the job sitting down. “But I can never tell anyone about it because it is so seriously uncool.” Shearing is clearly best left to twenty-something year old New Zealanders. “My back is broken, and the exertion turned me into the portrait in Dorian Grey’s attic.”
Each month the meadow reveals a new delight, a kingfisher in January, with its mythological status as a bird of halcyon days, followed by celandines in April, turning the meadow into a field of stars. As I read the book I marked the passages I particularly liked and when I finished, I went back to read those special passages again. I found I had marked almost half the book. It seemed easiest to simply read it again, which I did, enjoying it as much as the first time, finding even more to learn and enjoy.
The word ‘meadow’ comes from the Old English mœdw, being related to māwan, ‘to mow’. It is not a natural habitat, but one moulded by the hand of man. “At its best, it is also equilibrium, artistry.” Meadows are one of the few areas where man, and his actions, has created something wonderful. In his reflections on a single meadow on a farm in England John Lewis-Stempel has also written a wonderful book, one that is an utter joy to read. Jane
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