The 2016 London Print Fair

The 2016 London Print Fair is now on running from today, Thursday 5th May until Sunday 8th May with more information available at http://www.londonprintfair.com/. If you are in the market for, or want a good look at an amazing selection of top class prints then it’s definitely worth a visit. Last night I went to the Press View; and the quality and variety of works present was frankly exceptional. A couple of images will have to represent a complete box of delights; it wasn’t easy to choose but both show the high standard of items available.

While nothing there is really cheap, there are a remarkable number of items that represent good long term value. Two acquatints each immaculately printed in red and black from two separate plates,by George Baselitz and shown by Till Verclas, were on offer for around £3,000. If your taste runs that way to modern German art, they seemed relatively inexpensive.

Christopher Mendez has several good dark early states of Piranesi’s Veduti di Roma at somewhat over over a thousand pounds and a really fine impression of a print of Poussin’s Landscape with Funeral of Phocion was significantly under half that.

Andrew Edmunds, likewise located just inside the main entrance to the left as you come in, seemed to be doing very good business indeed with an epidemic of red dots covering much of his stock after half an hour. An exceptional item was Gillray’s The KING of BROBDINGNAG, and GULLIVER (image below) in wonderful and brightest early colour, not especially cheap at around £8,000 but frankly when are you going to get one as good? It was unsold, although attracting a lot of attention from potential buyers, when I left last night.Whether it remains available today is an open question.

The King of BROBDINGNAG, and GULLIVER. H.Humphrey, 26 June 1803. JAMES GILLRAY 1756-1815

There were also plenty of very fine items for more serious money. Some of the Grosvenor School lino-cuts, printed in colours by Cyril Power and Sybil Andrews, were selling towards the top end of the tens of thousands of pounds. Gilden’s Arts Gallery had a nice large Miro for around £20,000. Osborne Samuel had some prints from Eric Ravilious’ submarine series in very attractive fresh condition, although for non- trivial prices around £12,000.

Finally there is just room to mention and illustrate below, a superb (but very definitely ‘price on application’) four colour lithograph of The Sick Girl by Edvard Munch shown by Frederick Mulder. I wish, if I win the lottery!

Chris

 

 

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